SEND
Dance lessons built for every pupil, including pupils with SEND
Creative Steps aligns with the Education Endowment Foundation (EEF) recommended teaching approaches for pupils with special educational needs and disabilities (SEND), making lessons clearer for the whole class. Clear instructions, visual prompts and a predictable routine remove barriers for the children who need them most, and help everyone else in the hall too. Creative Steps has been built on that principle. Every scheme of work, lesson plan, handout and tool follows the same evidence-based approaches, so inclusive teaching is already part of the lesson you have open. You don't need to write a separate plan, and you don't need to be a dancer.
Good teaching for pupils with SEND is good teaching for everyone
The Education Endowment Foundation (EEF) recommends five teaching approaches for pupils with SEND in mainstream classrooms, known as the “five-a-day”:
Explicit instruction
The teacher demonstrates, pupils practise with guidance, then practise independently.
Cognitive and metacognitive strategies
Teaching pupils ways to think about, remember and improve their own work.
Scaffolding
Temporary visual, verbal or written support, removed when it is no longer needed.
Flexible grouping
Short-term groups formed around what pupils need right now, then changed.
Using technology
Tools that help pupils access, record and practise their learning.
The EEF describes these approaches as likely to support all pupils, while particularly supporting many pupils with SEND. They are not add-ons for a few children. When barriers are planned out from the start, you spend less time adapting on the spot and more time teaching. Here is how each one is built into Creative Steps.
1. Explicit instruction
Every lesson shows pupils what to do before they do it
The same shape every lesson.
Each lesson plan follows the same order: Setting the Scene, Learning Objectives, Warm Up, the main dance tasks, a performance and the music. Staff and pupils know what is coming next, which matters for children who find change or uncertainty difficult.
One clear focus per task.
Every section opens with a single stated focus, so you can tell the class exactly what the task is for before anyone moves.
Demonstrate, practise, then perform.
Tasks build from whole-class exploration, to practice with a partner or group, to selecting, refining and performing. In the Year 5 Capoeira lesson, the class explores the basic moves together before pairs build their own duet.
Show as well as tell.
Lesson notes prompt you to pick out good examples for the class to try, so pupils see a movement modelled rather than relying on spoken instructions alone. Notes also remind you to repeat instructions as often as pupils need.
Familiar before the lesson starts.
Short Setting the Scene video clips can play while children change or walk into the hall, so the topic is already familiar when the lesson begins.
2. Scaffolding
Visual, written and spoken supports are ready in every unit
Visual supports.
Image sheets such as Images of Actions show real pupils moving, with the question “What can our bodies do?”. A child can copy or respond to a picture instead of working from words.
Written supports.
Motif cards break a dance into one action per line, in order. Poems, word banks and image sheets give pupils a starting point, so nobody has to invent an idea from nothing.
Spoken supports.
Creative questions and analysis questions give teachers and teaching assistants the words to prompt, encourage and extend pupils.
Choice from a set.
The ASDR resource card lists actions pupils can choose from, which is easier than being asked to think of a movement on the spot.
Supports that can be removed.
The ASDR Spinners choose an action, a space, a dynamic or a relationship for the pupil. Some segments say “Your choice”, handing the decision back. Start with the spinner choosing and move towards pupils choosing for themselves as their confidence grows.
Open the ASDR SpinnersThe idea matters more than precision.
Lesson notes ask you to focus on the essence of an action rather than its accuracy, so pupils with motor or coordination difficulties can take full part.
Ready for the whiteboard or the printer.
84 handouts sit inside the app, ready to display on the whiteboard or print, so a pupil can check a visual while they dance.
3. Cognitive and metacognitive strategies
Pupils learn one way of thinking about movement from Reception to Year 6
The same four building blocks every year.
Every scheme uses ASDR: Action (what the body does), Space (where it moves), Dynamics (how it moves) and Relationships (who or what it moves with). Pupils meet the same four questions in every lesson, so they have a reliable structure to plan, describe and improve a dance.
Consistent words.
The searchable dance glossary gives every key term a short, classroom-ready definition. The same vocabulary is used across all seven schemes, so words can be pre-taught and stay the same as pupils move up the school.
Structured reflection.
Analysis questions help pupils talk about what they saw and felt. Younger pupils start with questions such as “What did you notice?” and “How did it make you feel?”. Key Stage 2 pupils are asked to give reasons for their opinions. Pupils are encouraged to give two positive comments and one constructive suggestion, so feedback stays kind and useful.
Watching themselves.
Guidance on filming with a tablet helps pupils connect how a movement feels with how it looks, then improve it.
Reflection is part of progress.
Observing and improving is one of the five strands in the Creative Steps dance progression, alongside physical, expressive, creative and social development.
4. Flexible grouping
Groups change with the task, and every pupil works towards their own next step
Solo, pairs, small groups and whole class.
A single lesson moves between groupings, so pupils work with different classmates for different purposes, and no one is fixed in a group.
Shared performance.
Half the class performs while the other half watches, then they swap. Spotlight performances let small groups share their work one after another.
Three levels of learning objective.
Every lesson sets objectives for All, Most and Some pupils. The whole class works on the same task and the same idea, with an outcome matched to where each child is now.
See the step before and after.
The dance progression map sets out what pupils learn in each year from Reception to Year 6. If a pupil is working at a different stage from their class, you can see the earlier or later step and set the task accordingly.
5. Using technology
Technology helps pupils access, practise and review their dancing
Music that keeps playing.
Twenty specially composed tracks play from a phone or tablet. The player keeps going while you move around the lesson, and tracks loop, so pupils who need more practice can repeat a section without the music stopping.
Visuals on the big screen.
Handouts, images and motif cards display on the whiteboard for the whole class to follow.
Video as a stimulus.
Linked clips give pupils a picture of the theme before they start moving.
Digital idea spinners.
The ASDR Spinners make choosing a movement quick, visual and game-like.
Open the ASDR SpinnersTablets for review.
Pupils can watch footage of their own performance to see what to improve.
A site that is simple to use in a busy hall
Creative Steps is designed for the hall, not the desk. Lesson plans use big type that you can read at arm’s length while the class waits. Buttons are large enough to tap easily, the site includes a dark mode, and it respects device settings for reduced motion. That keeps the teacher’s attention on the pupils, not the screen.
Support for the adults who support your pupils
Teaching assistants can follow the same lesson plan, handouts and prompts as the class teacher, so every adult in the hall uses the same language and approach.
If your staff would like more time to build confidence, Beccy Cresswell runs CPD days, twilight sessions and live virtual training for schools and multi-academy trusts. Tell us what you would like the training to cover, and we will shape the sessions around your school.
Frequently asked questions
Give every pupil in your hall a way into dance
Seven schemes of work, Reception to Year 6. Lesson plans, resources and original music, built so every child can take part.
Source: Education Endowment Foundation, Five a day: supporting high-quality teaching for pupils with SEND.
